I finished "Sea Garden," and I have to tell you, this was so fun--it put me in kind of a ridiculously good mood. Ever get so cheerful it kind of worries your family? That was me, finishing this up last night.
I finished "Sea Garden," and I have to tell you, this was so fun--it put me in kind of a ridiculously good mood. Ever get so cheerful it kind of worries your family? That was me, finishing this up last night.
Sometimes, no matter what else I'm supposed to be doing (and there's always something, right?), I carve out a few hours to sit at my work table and play. There's just no other way to ensure that new ideas will come. If the muse arrives, my dear, and you are in the basement putting in a load of whites, well, she goes her merry way, and when you crawl up those cellar stairs again, just a hint of her perfume lingers. It smells like apples--no, lilac, no--. Gone.
Well, I'm not falling into that sad trap. Uh-uh. Now who's gonna clean up all these teensy scraps?
Nope, just metallic floss, which might be harder to make happen. Have you ever worked with this stuff? It's a challenge, folks--the strands appear to hate one another and hope to remain as far apart as possible at all times, which makes knotting the stuff near impossible. But sometimes--for the silvery tootsies of a bride, say--it's worth the effort.
In a marathon session yesterday, I managed to finish this wedding portrait (and yup, that's the bride, decked out in purple and red--awesome, right?), whilst A. watched football (streaming from the internet--who knew?) with her dad. The running commentary was a little distracting (like, at one point, A. said, "That guy's butt cheeks just wiggled."), but I did it, and the results are, I think, bright and joyful. Phew.
Miss A. received a surprise invitation for one more trip to the beach--September 25 and, yes, it's warm enough here in Maine, which is odd. Well, she didn't have to be asked twice.
That left me free for a few unexpected hours, and what did I decide to do?
I photographed her beautiful paper clay seal because I couldn't wait to show it to all of you. It's lovely, and looking at it, holding it, fills me with with quiet. Nice.
. . . the winner is Del, who said, "Fantastic idea! Your sachet looks fantastic. I'd love to win one of the books. Thanks for giving us a chance!" Thanks, Del--send me your mailing address (at the email on the right sidebar), and I'll send off your calendar and your circles!
I come to you from my craft desk, my feet nesting in a pile of felt scraps, my pajamas covered in bits of string, and yes--I should be folding laundry, loading the dishwasher, blah, blah, blah, but wouldn't you prefer that I give you things? I knew you'd understand.
That's my sachet up there in the top right corner of this new-for-2011 Sewing Calendar, which is absolutely stuffed with good tutorials. And I want you to have one! Also, since one of the questions I hear most is about how I cut all those felt circles, I thought you might like to get a little stash of ready-to-applique circles along with your calendar. If I'm right, leave a comment, and I'll shut 'em down and pick a winner Wednesday at midnight.
Okay, I guess you can't really call it mass production. I only made seven, but I'm pretty sure I could embroider one of these little guys in my sleep at this point. I'm in the process of making a set of ornaments featuring a child's drawing, for her mommy to give away as Christmas presents this year.
Meanwhile, Sophie and Annabelle are collaborating on a graphic novel project. (Do you think the state of Maine will consider Manga an art unit? ;-))
This drawing was Annabelle's birthday present to my younger sister, Abby, who loves images wherein animals (or cowboys) ride on other animals, specifically when one of the animals--which should be very small--is rendered large. I can't explain why the chipmunk is eating a grape whilst mounted. That doesn't seem safe.
Here are a couple of Embroidereading entries that struck our fancy, both of them because of the excellent combination of imagery and text. The rules stated that the hoop could include artwork, as long as the words themselves took center stage, and so many of the entries pulled this off in ways I didn't even imagine. In the top hoop here, for example, Karen managed--largely through the selection of perfect contrasting colors--to stitch her poem right over the world's most appealing cabbage. (And it didn't hurt that said cabbage reminded me of my gifted and lovely friend Sam.)
The poem in this second hoop happens to make use of one of my favorite words (augury--sounds like August and sugary, so good), but more importantly, I adore Under the Neem Tree's sweet bird on a branch, those cheerful pink flowers against the blue background. And--let's be honest--I'm totally envious of her perfectly-stitched lettering.
and Poppy's (and Patrick's!) "Roses are Red." As my fellow judge remarked, this one just feels like it comes together, which we all know is pretty rare.
The quoted verse category turned out to be our toughest pick--there were just so many wonderful entries, so much good poetry (and song lyrics!), so many talented stitchers pulling out all the technical stops (many of which you'll see in later posts). But Corinne and I agreed that the simplicity, ingenuity, and apropos-ness made Idle Hands' touching "Absence" special. I'm truly moved by the Merwin quote, but it's elevated, I think, by the continuous, hand-written quality of the stitched text, not to mention the turn to red on the word "color" and that needle at the end that makes the sentiment feel suddenly literal:
And finally--I adore every single entry in the "original verse" category because it takes such courage to present one's own words, one's own feelings, to strangers (or even to family members--sheesh) and because they're all just so good. Sarah's "Trapeze" somehow managed to create a conversation between the contemporary poet and stitcher, and a woman from the long past who created the embroidery that shares the hoop with Sarah's own gorgeous words:
So that's all--for now. If you've won a prize, please send me your full name and address via the email on my right sidebar, and I'll send off your goodies! If you entered, I love you. No, really. And even if you didn't enter, I hope you'll share your own "embroidereads" at the flickr group, which the members have decided to keep open for, like, ever.
I feel like my summer is in this doodle-sampler. Hours sitting under an umbrella by the public pool while Miss A. splashed and squealed with a friend. Evenings sitting next to my beloved while he watched Star Trek, the day's first cool breezes erasing the heat from our bodies and our minds. Into these hundreds (thousands?) of stitches, I poured the season's stresses--a chipped tooth, a bat encounter, a hit-and-run on our poor car, and other things too tender to mention.
Now, as the wise always tell us will happen, these things too are passing, and what remains as a memento of my worry and my joy is what my hands made while I moved through both.
And it's doing a nice job covering the thermostat right now so I don't have to see how hot this last (please?) hot day really is. We are wilting, folks. But I'll be back with results of the BRILLIANT Embroidereading in a couple of days when things cool down around these parts. Wait for it!